
The second in a series by Jane Quinn on photojournalism and COVID-19.
On World AIDS Day, Emery looks at how art changed the homophobic landscape and created a community solidarity....
Phase I of the Great Train Tapestry’s creation has now reached its close and thanks to the creative guidance of Lisl Ponger, we continue our process with a solid foundation of ideas and an established vision for the project’s next steps!...
Since the early 2000s, visual activist Zanele Muholi has used photography to re-envision the realities of Black LGBTQIA+ lives in South Africa. Published in tandem with a Tate exhibition held in 2020, the Zanele Muholi Exhibition Book...
Throughout the 16 days of activism, we're posting about the work of women photographers who are highlighting violence against women in its many different forms.....
What resists commodification? Very little these days. Subcultures, alternative lifestyles and perhaps, most tellingly, varying types of ethical consumption, all fall foul of capitalism’s ability to co-opt alternatives into its mechanism....
Photo Exhibition - Hundred Heroines volunteer writer Emma Godfrey Pigott reflects on her experience of Paris Photo 2023, and discusses her highlights from the event....
Inspired by the work of Martha Rosler, our Garage Sale – as well as offering some great bargains – challenges the viewer to take a critical look at the second-hand market in the UK, particularly the pricing policy of charity shops as...
A free workshop experimenting with sublimation print and dysperse dye transfer onto fabric as part of the Great Train Tapestry Project....
As part of our Great Train Tapestry project, Zariq Rosita Hanif will be leading this 2nd workshop using batik to create panels for the final piece!...
RE/SISTERS: A Lens on Gender and Ecology, at the Barbican, London, is a major group exhibition surveying gender and ecology....
The second in a series by Jane Quinn on photojournalism and COVID-19.
‘The calendar is made up of the past, for those at the top. So that it will stay that way, the powerful fill it up with statues, holidays, museums, homages, parades. That all serves the purpose of keeping the past in place; where things have already happened and not where they will happen,’ says Don Durito, a well-dressed, pipe smoking beetle from the Lacandon Maya jungle, who appointed Subcomandante Marcos of the Zapatista Liberation Army to be his shield bearer.
CHARLOTTE IRWIN explores how Pixy Liao visually represents her relationship with her boyfriend.
The first in a series by Jane Quinn on photojournalism and COVID-19.
The funny thing about writing poetry for me is that it only comes when it wants to. It hides in the back of my mind then suddenly shows it’s face out of the blue.