Born in Perth on 20th January 1805, Jessie Mann (1805-1867) is regarded as the first Scottish woman photographer.
Lady Clementina Hawarden (1822-1865) was a prolific amateur photographer, best known for taking portraits of her daughters
Carolee Schneemann (1939 – 2019) was an experimental visual artist known for her works on the body, sexuality, and gender.
Margarethe (Margaret) Gross was born in 1902 into a Jewish family in Dzieditz, near Cracow, in what was then Austria (now Poland). Her liberal upbringing led her to studying photography at the Institute of Graphic Arts and Research in Vienna, followed by apprenticeships in some of the leading Viennese studios of the 1920s including the prestigious Studio d’Ora, where she worked in the New Photography style, advertising, and fashion.
Liselotte studied painting and graphic design at her local art academy – Badische Landeskunstschule, Karlsruhe (BLK) – and took up the then–new course in advertising photography at the School of Applied Arts in Stuttgart.
Grete attended the Höhere Graphische Bundes-Lehr- und Versuchsanstalt from 1910 – 1915 and worked as an assistant at the school until 1916.
Jessie Tarbox Beals (1870 –1942), Canadian-born American photographer and photojournalist, was the first published female photojournalist in the United States and the first female night photographer. She documented Greenwich Village and the major figures and events of New York from the Victorian era up to the Depression.
Born in Berlin, Ursula Pariser studied in London at the Reimann School of Art and Design before embarking on an illustrious career as educator and photographer. Whilst head of photography at the Courtauld Institute of Art, she acted as special art adviser to the Queen.
Alice Austin (1866-1952) was one of the first women to work outside the photographic studio, documenting New York City as well as intimate relationships between Victorian women
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