New exhibition featuring the work of Dorothy Wilding – Gloucester’s pioneering photographer
Collage showcases the work of sixty-four women in photography, all of whom have been shortlisted or nominated for the Prix Pictet award.
To coincide with the arrival of the Knife Angel – the National Monument for Serious Violence – we have acquired a Knife Rose, thanks to the support of the Stronger, Safer Gloucester Partnership
Body Politics traces Carolee Schneemann’s transgressive, interdisciplinary artistic expression over six decades.
Penny Slinger’s ever-evolving oeuvre encompasses Surrealism, feminism, and eroticism (to name a few) through the mediums of collage, fashion, film, prose and poetry, and sculpture.
In One Work: The Oval Court, Marina Warner examines the iconic work by leading feminist artist Helen Chadwick.
Shyama Laxman reflects on South Asian identity in relation to Arpita Shah’s ongoing portraiture series, Modern Muse.
The first major survey of photographer Hannah Starkey, In Real Life, highlights her multifaceted depictions of contemporary womanhood.
Hundred Heroines volunteer Paula Vellet shares her thoughts on the enchanting photographic series Hyperborea by Evgenia Arbugaeva.
Rinko Kawauchi’s third retrospective exhibition, hosted by Switzerland’s Christopher Guye Galerie, explores the pathos of nature.
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