Del Barrett

Through her phone, Nancy captures scenes of beauty and the everyday lives of her children and grandchildren that she wouldn’t otherwise be able to see with the limits of her naked eye.

Through the power of photography, I believe that we can change the public’s fear of sharks to respect, and maybe even love.

Seeing Julia Fullerton-Batten’s work is like experiencing time come to a pause. Each of her images capture cinema’s scale and sweep, funnelled to a singular defining moment and given depth by an obsession with perfect detail. Her work conveys the intimate truth of its subject, its essence. None more so than in…

I understood their feelings of pain, of loss, of loneliness, of helplessness — and eventually, of wanting to use the traumatic experiences to help others.  I could never have predicted how much the women and their stories would affect me.  We ended up supporting each other.  We continue to do so.

In 2012 when I stood in front of my lens fully nude for the first time, I had a radical change in self-perception. I realized for two decades I had apologized for my body.

Jannica Honey’s work is often concerned with the female body and the place of women in society. Her recent work “When the Blackbird Sings” (2016-2017) focuses on the female body and its links with nature.

From Being Inbetween, which is a continually evolving series of photographic portraits of girls aged between ten and twelve, exploring the complex transition between childhood and young adulthood