The first UK retrospective of work by Evelyn Hofer has recently opened at The Photographers’ Gallery, London.
Body Politics traces Carolee Schneemann’s transgressive, interdisciplinary artistic expression over six decades.
Margarethe (Margaret) Gross was born in 1902 into a Jewish family in Dzieditz, near Cracow, in what was then Austria (now Poland). Her liberal upbringing led her to studying photography at the Institute of Graphic Arts and Research in Vienna, followed by apprenticeships in some of the leading Viennese studios of the 1920s including the prestigious Studio d’Ora, where she worked in the New Photography style, advertising, and fashion.
Liselotte studied painting and graphic design at her local art academy – Badische Landeskunstschule, Karlsruhe (BLK) – and took up the then–new course in advertising photography at the School of Applied Arts in Stuttgart.
Grete attended the Höhere Graphische Bundes-Lehr- und Versuchsanstalt from 1910 – 1915 and worked as an assistant at the school until 1916.
LAST CHANCE TO SEE: The Countess of Castiglione. A new London exhibition highlights one of the greatest figures in the history of photography
Jessie Tarbox Beals (1870 –1942), Canadian-born American photographer and photojournalist, was the first published female photojournalist in the United States and the first female night photographer. She documented Greenwich Village and the major figures and events of New York from the Victorian era up to the Depression.
American photographer Jan Groover experimented with space, light, colour, and form in painterly, large-format still lives.
Recognized as a notable LGBTQ+ fashion icon and an accomplished twentieth-century author, Annemarie Schwarzenbach was also a prolific photographer.
Born in 1935, Elisabeth was a prolific photographer. By the time of her death in 2018, she had created a vast collection of images with immense social, political, and aesthetic value.
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