Reproduction of Jo Spence's BA thesis. Written in 1982, this landmark thesis aimed to untangle interconnected gender and class oppressions in historic fairy tales.
Women refugee photographers are put back in the frame in Four Corners' exhibition. Kirtey Verma goes behind the scenes of the recently reopened Another Eye with Four Corners’ Carla Mitchell and co-curator Katy Barron
Claude Cahun considered themselves agender, stating, “Masculine? Feminine? It depends on the situation. Neuter is the only gender that always suits me.”
Margaret Harker was an influential force within the Royal Photographic Society, from the 1940s until the early 2000s, at a time when it was very much dominated by tradition and run by men.