EMULSIVE is a space for film photographers of all backgrounds to share their knowledge, experience and thoughts about everything related to film photography. Here, they share their daily nominations
Seeing Julia Fullerton-Batten’s work is like experiencing time come to a pause. Each of her images capture cinema’s scale and sweep, funnelled to a singular defining moment and given depth by an obsession with perfect detail. Her work conveys the intimate truth of its subject, its essence. None more so than in…
I understood their feelings of pain, of loss, of loneliness, of helplessness — and eventually, of wanting to use the traumatic experiences to help others. I could never have predicted how much the women and their stories would affect me. We ended up supporting each other. We continue to do so.
In 2012 when I stood in front of my lens fully nude for the first time, I had a radical change in self-perception. I realized for two decades I had apologized for my body.
Jannica Honey’s work is often concerned with the female body and the place of women in society. Her recent work “When the Blackbird Sings” (2016-2017) focuses on the female body and its links with nature.
Touched by the stories of our nominated heroines, Robert Albright Hon FRPS, President of the Royal Photographic Society and avid supporter of #HundredHeroines found one heroine’s tale resonated so strongly with him that he felt moved to share his own personal story with us.
Open for the last few weeks, Karen Knorr FRPS presents new work from India and Japan for the first time in the UK, in the museum dedicated to photography and its invention by Fox Talbot.