
Austrian photographer Inge Morath left Nazi Germany to America to become an editor and then as assistant to Henry Cartier-Bresson.
Austrian photographer Inge Morath left Nazi Germany to America to become an editor and then as assistant to Henry Cartier-Bresson.
Shaped post-War American photography even while under the watchful eye of the FBI
Lisl Ponger’s work concerns stereotypes, racism and the construction of the gaze. It is located at the interface between art, art history and ethnology in the mediums of photography, film, installation and text.