Recently published by MACK, Francesca Woodman: The Artist’s Books encapsulates the ethereal artistry of the late American photographer.
Rohina Hoffman’s Embrace is a rich amalgamation of photographic projects exploring food, family, and multicultural identity.
You Refuse to Believe that You Ever Liked Pink is an account of Dena’s child’s transition into becoming Alex, a non-binary, asexual adult.
Laura El-Tantawy’s latest book, Pang’Ono Pang’Ono, amplifies the story of a group of Malawian women in their daily struggle to access clean water.
Shyama Laxman reviews Dragana Jurišić’s HER OWN, which weaves together the life stories of three women: the artist’s aunt Gordana, her own, and that of L’Inconnue de la Seine.
Collage showcases the work of sixty-four women in photography, all of whom have been shortlisted or nominated for the Prix Pictet award.
In One Work: The Oval Court, Marina Warner examines the iconic work by leading feminist artist Helen Chadwick.
Shyama Laxman reflects on South Asian identity in relation to Arpita Shah’s ongoing portraiture series, Modern Muse.
Laia Abril’s latest monograph, ‘On Rape’, attempts to understand the gender stereotypes and social structures which perpetuate rape culture.
Ursula Schulz-Dornburg’s latest book presents her largely unseen series documenting the imaginative play behind Amsterdam’s Jongensland.
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