Geoff Nicholson reviews the Chelsea screening of Lisl Ponger’s The Master Narrative and Don Durito.
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Silver Linings is an ongoing long term project that follows a group of homeless people, inhabiting underground central heating systems in the centre of Romania’s capital, Bucharest. Life on the streets can be a very traumatising and an isolating experience, where forced prostitution, drug or sexual abuse and other forms of violence go unreported daily.
“I guess that photographing my own country’s decay put me in a position where I wasn’t able to take too much distance from the things and people I photographed. I often feel like by photographing them, their pain and struggle, I’m photographing a part of myself.”
The Iran-Iraq War (1980-88) was one of the bloodiest conflicts of the 20th century. This series recounts the grief of the mothers of missing soldiers who live in hope of finally seeing their sons again—or at least holding a body to bury.
“For the first time in modern history, survivors are being given space to come forward publicly with their stories and foster discussion on how to end rape culture. In the absence of this space, people often have had to heal in silence, privately processing the trauma they’ve endured.”
Emma Lewell-Buck MP lends her support to the #HundredHeroines campaign by tabling an Early Day Motion.
Poulomi Basu, born and raised in Kolkata, is a young, feisty and passionate documentary photographer and multi media exponent.
Grime began as a makeshift music style, blending the eclectic sounds of London’s Afro-Caribbean community. Borne out of an amalgamation of various music genres, from reggae, dancehall, bashment, ragga and dub, to garage and drum and bass, grime has made its way from humble beginnings to a global phenomenon over the past two decades.
Emily Andersen has been making photographic portraits of the international avant-garde since graduating from the Royal College of Art in the early 1980s. Having started out by finding her way into some pretty cool-sounding private parties in London and New York, she began convincing artists and musicians to pose for her – from Nan Goldin to Nico.
